Dating as a Jerry Bruckheimer Movie
by Chris LaRoche

 



     

I've recently realized that dating should be approached like going to a Jerry Bruckheimer movie. Think: "Armageddon", "Pearl Harbor", "Coyote Ugly". Expect surprises, explosions, car chases, gunshots, near-death experiences, sudden cliffhangers, surprise twist endings, a little blood, and more often than not, unfortunately, a complete lack of sex and skin. Do not expect interesting dialogue, in-depth character development and analysis, intriguing plot, complex social-cultural themes, or hard-core porn. Go to the movie expecting the worst, and you'll leave with maybe a good ride, a stunning adventure, something you can tell your friends about, like "guess what I did" or "I'll take this bullet myself so you don't have to." And if something interesting does happen, you'll be pleasantly surprised instead of horribly disappointed.

This winning attitude led me into the lair of a thirty-eight year-old Jewish public defender transplanted from New York City. We met at a party. She was cute: large eyes, wild hair, petite yet firm. I subjected her to some cheesy seduction, which she managed to fend off,
entertaining me with only some hippie-ish hand dancing, deep glances into the eyes, licking of the lips, and lots and lots of projected scenarios that failed to materialize. We parted ways at four in the morning. I spent the next two days hunting down her email knowing only her first name. She asked a mutual friend for mine. We agreed to meet Thursday for after dinner drinks downtown. I drove, and three Manhattans later, casually offered to give her a ride home. It was convenient. She invited me inside. It was cordial.

She lived in a three-bedroom rambler, an anomaly for her neighborhood. I immediately insulted her by calling it a prefab. A wood-burning stove sat in a lowered corner of the living room surrounded by a wood railing, giving an unsubtle likeness to a sacrificial alter. I opened a bottle of wine while she lit the stove and the candles, first the ones around the pit, then those on the counter, and finally ones hidden on end tables and bookshelves. In all, there were twenty-three candles, or maybe it was 666, I didn't count. The house glared red. The fire crackled viciously. The heat began to swell.

We talked. She was entranced. I was entertained, at most. We had common interests: traveling, activism, passions. We'd seen the same movies, read the same books, and other requirements one seeks in a life-long partner. And we'd yet to kiss.

As we sprawled out platonically in front of the wood-burning stove, she crawled across my face to stoke the fire. She arched her back like a cat, raising her ass in my general direction. I noticed she was wearing a thong.

Her energy was transparent and she could hardly contain herself. There was, unfortunately, nothing to contain herself from: I just wasn't interested.

"I really need to dance!" She announced. She got up and put on some hardcore thrasher punk/rap music and began thrashing her head about, swinging her arms as if she were hurling dishes across the room. "Come on!" She yelled above the music, "don't you feel it?!"

I stood next to her, marveling at this latest turn in the evening, the sudden explosion in the Bruckheimeresque action-fest. I tapped my foot. My hips twitched. She took my hands and initiated a two-person drunken mosh pit in front of her stereo, surrounded by candles. Then she started the seductress dance, twisting like a gypsy, pulling my hands down firmly while bringing her face close to mine and giving me "the eye".

"Don't you feel it?" She said, this time in a husky whisper.

"I don't know," I interjected, "I... I just broke up with somebody."

Her freeze was instantaneous. She looked at me as if something just died, violently, right in front of her. "What?!? Oh my God!!! What did you say?"

I repeated myself, but it didn't matter. I could've spoken in dead Biblical tongues and she would've known by the intonation and circumstance what exactly I was saying. By now, all words were useless, and a discussion ensued regardless to what I actually said.

Her first reaction was a mild disbelief: "What? Are you sure? I mean, I feel all this energy, you're giving me this vibe. How can you say you just broke up with someone???"

Cause I just did.

"But so what?"

It means I don't feel anything. You're nice and all, but I just don't feel.

"What do you mean? I certainly feel it! It's so obvious, we're lying here, flirting."

So? I flirt all the time. They call me the 'serial kisser'.

"But this energy! This..." making circles with her hands to indicate the space between her and me, "...this doesn't just happen. This is incredible! Are you sure?"

Yes, I'm sure.

"But what if we were meant to be?"

We aren't. I'm certain.

"But what if this is the one, you and me? This doesn't just happen. What if this is it? Don't you think you shouldn't pass it up?"

It isn't. I'm positive.

"But you tried to kiss me! At that party last week, you tried to kiss me! A kiss is a promise!"

I would have laughed, but I found the comment equally ridiculous and deeply disturbing.

From there, the reactions descended the standard checklist of emotions: Jealousy, Vengeance, Guilt, Ennui and finally, Lust.

"Fine, but before you go, we've got to make out."

Fair enough.

Sometime in the night we finished a second, and perhaps a third bottle of wine. I threw up in her toilet, and we walked her dog around the block at two a.m. Then we made out. We kept our pants on.  She bit my nipples in vengeance.


 

 

 

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Chris LaRoche lives in Seattle and calls himself a teacher, though that’s not completely accurate.  He's written for the local newspaper, Real Change, and is a contributing editor for the upcoming Not for Tourists Guide to Seattle. He's currently working on a series of travel stories, from accruing jaded ex-girlfriends across European, to hitchhiking across the Arctic Ocean, to the ubiquitous bumpy bus ride in a third-world country with machete-wielding locals.




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